Acclaim
“A major talent with a robust tone, flutist Jasmine Choi infused Mercadante’s Flute Concerto in E, Op. 57 with the kind of energy that made the piece’s commonplace ingredients a point of release for her considerable personality.” – The Philadelphia Inquirer
“The rising star we have to watch out for…Jasmine Choi earned passionate applause from [her performance of] the flute concerto by Andre Jolivet…She unites perfect technique and astounding musicianship.” – Gramophone Korea
“Welcome, the virtuoso flutist!…Breathtaking…The new star of the flute world…Jasmine Choi played the Liebermann Flute Sonata with intense passion that completely stirred up the audience at the Konzerthaus in Vienna…Her interpretation was superb.” – Auditorium (Korea)
“Jasmine Choi was celebrated by the audience in the seventh Austrian Flute Festival in Vienna. Her wonderful sound and her cultivated, even-tempered interpretation left no dreams unfulfilled.” – Austrian Flute Society
“Jasmine Choi has complete control of her technique, a technique that expresses everything she wishes it to…Her confident interpretation [of the Jolivet Flute Concerto] led the whole orchestra, not the other way around.” – The Classical
“The allure of the flute that touched the world…The star of the flute is born.” – Choong-Chung Today (Korea)
“This world-class flutist’s concerto debut in Vienna was a huge success.” – String & Bow (Korea)
“Jasmine Choi has complete control of her technique, a technique that expresses everything she wishes it to… Her confident interpretation [of the Jolivet Flute Concerto] led the whole orchestra, not the other way around.” – The Classical (Korea)
“[Jasmine Choi’s] outstanding performance in the Austrian Flute Festival was a huge sensation.” – Korea Times
“At the world’s prestigious Prague Mozart Festival, a young Korean flutist Jasmine Choi showed an exceptional performance, with her exquisite tone and brilliant technique.” – The Joong-Ang Daily (Korea)
“An excellent flutist!” – The Chosun Daily (Korea)
“…Choi’s control was absolute…Choi was an authoritative and beguiling guide, ably narrating [Reinecke’s Undine] and mastering the different moods of seductiveness, rage and regret…Choi’s communicative style left the audience wanting to explore the music further…” – London Korean Links